Showing posts with label brand essence. Show all posts
Showing posts with label brand essence. Show all posts

Monday, May 22, 2017

In a Way, It's All the Same



I live in the world of brand promises and brand positioning. I help people determine their brand's essence. And I help them determine their brand's mission, vision and values. And their brand's archetype and personality. Some consultants help people discover their brand's "true north," while others help people determine their brand's mantra. One consultant I know helps people answer their brand's "why." And brands have tag lines and slogans and elevator speeches. Is this all word mumbo-jumbo or is there something behind each of these terms?

There are certainly subtle and not-so-sublte differences between each of these terms, however, at a more macro level, they are all used to gain clarity on one thing - Why does this brand exist? What makes it different from other brands? What does it stand for? How does it make a difference in the world? Why should people care? 

It is about strategic thinking and clarity and "fire in the belly." It is about getting the brand's leadership team "on the same page." It is about rallying employees around the brand's purpose. It is about energizing the brand and making it relevant and vital. And it is about making the brand stand out.

So yes, these terms might seem like jargon or marketing mumbo-jumbo, but they drive a strategic process that is critical to a brand's success. So regardless of which terms you decide to use, you must do the strategic work that they represent to put your brand on a successful trajectory. 

For definitions of each of these terms, refer to Brand Aid, chapter 2 (Understanding the Language of Branding) available here

Tuesday, September 29, 2015

Writing the Agency Brief



The marketing objective and the brand promise with its proof points are key elements of the agency brief, a document that communicates the strategic direction of a new advertising campaign. Once you have completed the agency brief, your ad agency will use the brief to develop campaign ideas/concepts (e.g., storyboards, print ads). They will likely show you several different campaign ideas.


Elements of An Agency/Creative Brief

Background/Overview: (history, context, and a general overview of the competitive environment and the problem)

Marketing Objective: (desired tangible result, usually in target customer’s attitude or behavior; intended effect with quantifiable success criteria)
  • Current State: (what the customer thinks today)
  • Desired State: (what we want them to think and what we want them to do)

Assignment: (deliverable, timing, and budget)

Product or Service: (if product/service-specific)

Target Customer: (be as specific as possible)

Brand Essence: (the “heart and soul” of the brand expressed as “adjective, adjective, noun”)

Brand Promise: (only [brand] delivers [relevant differentiated benefit or shared value])

Proof Points: (reasons to believe)

Brand Archetype: (choose and elaborate on one or two archetypes that explain the brand’s motivation and drive its behavior)

Brand Personality, Voice, and Visual Style: (from the positioning statement, list adjectives that describe the brand; for instance: voice: down-to-earth, assertive, confident, warm, sarcastic, witty, reassuring, eloquent, simple, etc.; visual style: bold, bright, energetic, soft, textured, ornate, understated, nostalgic, futuristic, etc.)

Mandatories: (those items that are givens). It is best to provide as few constraints as possible. I usually specify the brand identity standards and system as the only mandatories. There may be legal or regulatory mandatories as well.


Excerpted from Brand Aid, second edition, available here.

Thursday, September 17, 2015

Mission Vision Values Essence Promise



Over the years, many business executives have asked me what the difference is between mission, vision, values, essence, promise and other statements of strategic intent. Here is my summary of that.


Strategy Component
Definition
Form
Mission
The organization’s reason for existing
7 to 25 words
Vision
What the organization wants to become – forward looking, aspirational, inspirational
7 to 15 words
Values
What an organization believes in and how its people should behave
5 to 10 core values in words or phrases
Brand Essence
The “heart and soul” of the brand, its timeless quality
Three words in the form “Adjective adjective noun”
Brand Promise
The one or two things the brand promises its target audiences that is/are very important to those audiences and unique to the brand
In the form, “Only [brand] delivers [one or two benefits] to [target audience]”
Brand Archetype
The pattern or model that underlies the brand, especially regarding its motivations and behaviors
Choosing the brand’s primary and secondary archetypes
Brand Personality
Describing the brand as if it were a person
7 to 12 adjectives


© 2015 by Brad VanAuken

For more information on this and other brand management and marketing terms, refer to Brand Aid, available here.

Friday, September 4, 2015

Brands Must Transcend Product Categories



When I was named director of brand management and marketing at Hallmark, most of the company’s leadership team viewed the company as a greeting card manufacturing company.

With the advent of the Internet, it was easy to foresee the demise of “ink on paper” greeting cards.  I felt it was my duty to get the company’s leadership team to think about our business more broadly. Ideally, brands stand for customer values and benefits, not specific products.

It was clear through research that Hallmark helped people maintain their relationships and express their feelings. Based on this, we determined that Hallmark should stand for “caring shared.”

At the time, Hallmark was mostly manufacturing “ink on paper” products – greeting cards, giftwrap, paper plates and napkins and related products. It also produced calendars and day planners. It outsourced collectable Christmas ornaments and other small gifts. Most of these were produced in Asia.

I saw an opportunity for giftable candy and flowers and other “just a little something” gifts.  In fact, we worked with another Kansas City company, Russell Stover, to produce a co-branded upscale giftable chocolate collection.  And a group of us proposed a national florist network acquisition that far exceeded all of the company’s financial hurdles for new businesses and provided a platform for online order processing and significant add-on sales.  The best part of that acquisition is that the revenue and profit streams were very predictable for five years into the future due to outstanding yellow pages contracts (guaranteed first full page ad under “florist” across the nation). The best part is that Hallmark did not need to handle the flowers. It just recruited the right high quality florists, gave them a portfolio of floral arrangements to sell and processed people’s purchases by credit card. The company’s leadership team turned this opportunity down due to risk aversion.

I led the company into the digital age by innovating and launching “The Birthday Times,” “Letter from Santa,” “Peanuts Personalized Cartoon Strips” and other personalized social expression products printed in card shops using Tandy computers. I also developed a joint venture with Microsoft to create “Greetings Workshop,” greeting card software for the home. After that, I was on the advisory committee for the first website that would produce Hallmark’s online greeting cards. And I developed the concept and business plan for a joint venture with Kodak that focused on personalizing wine labels, ties, calendars, scrapbooks, t-shirts and a wide variety of other products with personalized photos and messaging. This joint venture (Image Gallery) was headquartered in Colorado and lasted for a few years.

In an earlier career role, as a new business strategist in Hallmark’s Product Discovery & Development division, I developed and tested the concepts for experiences and services as gifts, “just a little something” gifts and products for grandparents to share with their grandchildren. We also determined that it was possible for Hallmark to stretch the brand as far as offering branded romantic cruises for couples.

So, what happened to all of these endeavors to move Hallmark from a company reliant on manufacturing greeting cards, to a company known for helping people share their feelings and enhance their relationships? The comfort zones of the senior most leaders in the company. They knew how to manufacture greeting cards and sell them through card shops (and later, the mass channels). But they felt far less comfortable with other types of business models.

I left soon after discovering that Hallmark would never move that far from its roots, unnecessarily stunting its future growth prospects.  In fact, many senior managers left shortly after the corporate officers passed on acquiring the florist network, an acquisition that to this day I believe could have been transformational for Hallmark.

So, what are the key takeaways from this example?
  • Do not define your brand as a product category. It will limit its growth potential and eventually lead to its demise.
  • A brand should stand for something and share values with its customers or at least promise customer benefits, especially emotional benefits.
  • The more different types of products that can be offered to deliver on a brand’s promise, the stronger that promise becomes.
  • Defining a brand’s promise based on values or benefits (versus product categories) potentially extends a brand’s life indefinitely.
  • Senior leadership must buy into the brand’s promise and not be afraid to invest in new product and service categories to deliver on that promise.
  • Brands can enter new product or service categories through mergers, acquisitions, joint ventures, licensing or internal development.  Don’t limit the way you extend your brand into new categories to internal development only.


Friday, July 31, 2015

Components of a Brand Positioning Statement


I have helped position more than 150 brands over the past 15 years. During that time, my thinking on what should be included in a brand positioning statement has evolved. Here are the components I focus on today:

  • Target customer description - To whom does your brand most appeal? Who is your brand's most advantageous customer? Who is your brand primarily serving? I ask people to think about  today and in the future. I have them think about primary, secondary and tertiary targets. I have the marketers describe the target customers in as much detail as possible. The more targeted the brand is, the more clear the brand's promise becomes. Targeting a brand in great detail does not rule out secondary or tertiary markets or people who aspire to be the primary target.
  • The brand's essence - The heart and soul of the brand, its timeless quality, stated in the form "adjective adjective noun." This does not need to differentiate. It just needs to capture the brand's core essence.
  • The brand's promise, including its competitive frame of reference, its primary differentiating benefit or shared value within that frame of reference, the market forces that make that differentiating benefit relevant or salient and proof points for and reasons to believe the brand's promise. The brand's promise is very similar to the brand's unique value proposition. I focus on benefits or shared values that go beyond functionality, ones that are emotional, experiential and especially self-expressive.
  • The brand's archetype - Based on Jungian archetypes, this provides insight into the brand's core motivations, what drives it to behave as it does. 
  • The brand's personality - seven to twelve adjectives that describe the brand as if it were a person.
  • Other important brand associations - brand associations that are core to its character and identity.
For more information on brand positioning, read chapter 6 (Brand Design) of Brand Aid.